Bleach, Anthony. “Postfeminist Cliques? Class, Postfeminism, and the Molly Ringwald-John Hughes Films.” Cinema Journal, vol. 49, no. 3, Spring 2010, pp. 24–44. EBSCOhost, doi:10.1353/cj.0.0209.
Butler, Bethonie. "Netflix's 'To All the Boys I've Loved Before:' Everything you need to know about the latest rom-com hit." Washington Post, 20 Aug. 2018. Gale Academic OneFile, https://link.gale.com/apps/doc/A550916170/AONE?u=ggcl&sid=AONE&xid=99f1a60b.
Krause, Katie. “Noah Centineo “To All the Boys I’ve Loved Before.” | Full interview”, YouTube, Entertainment Tonight, 23 Jan. 2020, https://www.youtube.com/watch?v=9Ex0U86coAk
Matthews, Dylan. “Watching “To All The Boys I’ve Loved Before.””, YouTube, uploaded by Dylan Is In Trouble, 19 Aug. 2018 https://www.youtube.com/watch?v=CMq3k1A675E
The Things. “Differences Between The To All the Boys I’ve Loved Before Movie and Book.”, YouTube, uploaded by The Things, 26, Sep. 2018, https://www.youtube.com/watch?v=va3-womGAj8
Wilson, Alyssa. "'To All the Boys I've Loved Before' is the perfect typical rom-com." UWIRE Text, 2 Jan. 2020, p. 1. Gale Academic OneFile, https://link.gale.com/apps/doc/A610323751/AONE?u=ggcl&sid=AONE&xid=57e9fbfd.
A Walk to Remember. Directed by Adam Shankman, performances by Mandy Moore, Shane West, Pandora Cinema, 2002.
Ahn, Dohyun, et al. “'Sad Movies Don’t Always Make Me Cry’: The Cognitive and Affective Processes Underpinning Enjoyment of Tragedy.” Journal of Media Psychology: Theories, Methods, and Applications, vol. 24, no. 1, 2012, pp. 9–18. EBSCOhost, doi:10.1027/1864-1105/a000058.
Dear John. Directed by Lasse Hallström, performances by Channing Tatum, Amanda Seyfried, Sony Pictures Entertainment, 2010.
Liu, Chang, et al. “Towards Story-Based Classification of Movie Scenes.” PLoS ONE, vol. 15, no. 2, Feb. 2020, pp. 1–22. EBSCOhost, doi:10.1371/journal.pone.0228579.
Niemiec, Ryan M., and Stefan E. Schulenberg. “Understanding Death Attitudes: The Integration of Movies, Positive Psychology, and Meaning Management.” Death Studies, vol. 35, no. 5, May 2011, pp. 387–407. EBSCOhost, doi:10.1080/07481187.2010.544517.pp. 387–407.
PÉREZ CASAL, Inmaculada. “Mass-Market Romance and the Question of Genre.: N. Sparks, E. L. James and D. Gabaldon.” Oceánide, no. 10, Jan. 2018, p. 55. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=edb&AN=131616512&site=eds-live&scope=site.
The Last Song. Directed by Julie Anne Robinson, performances by Miley Cyrus, Liam Hemsworth, Greg Kinnear, Touchstone Pictures, 2010.
The Notebook. Directed Nick Cassavetes, performances by Ryan Gosling, Rachel McAdams, New Line Cinema, 2004.
Carter, Emily. “Netflix's Latest Original Rom-Coms, Ranked.” Collegiate Times, 11 July 2018.
Hill, Samantha Rose. “Why the Hallmark Channel Is Completely Dominating in 2017.” Thrillist, Thrillist, 22 Dec. 2017
Klaes, Kittsie. “Bridesmaids, Trainwreck, and the Regressive Role of Women in Romantic Comedies.” Film Matters, vol. 8, no. 3, Winter 2017, pp. 66–72.
Matrix, Sidneyeve. "The Netflix effect: teens, binge watching, and on-demand digital media trends." Jeunesse: Young People, Texts, Cultures, vol. 6, no. 1, 2014, p. 119+.
Mende, Martin, et al. “The Marketing of Love: How Attachment Styles Affect Romantic Consumption Journeys.” Journal of the Academy of Marketing Science, vol. 47, no. 2, Mar. 2019, pp. 255–273.
Metz, Walter. “A Hallmark of the Classical Holiday Cinema, or Meeting Two Christmas Queens.” Film Criticism, vol. 42, no. 4, Nov. 2018, pp. 1–8.
Oria, Beatriz. “Love on the Margins: The American Indie Rom-Com of the 2010s.” Atlantis (0210-6124), vol. 40, no. 2, Dec. 2018, pp. 145–167.
Rahim, Zamira. “'We Own Christmas': Netflix Can't Compete with Hallmark When It Comes to the Festive Romcom.” The Independent, Independent Digital News and Media, 16 Nov. 2019.
Till, Benedikt, et al. “Blurred World View: A Study on the Relationship between Television Viewing and the Perception of the Justice System.” Death Studies, vol. 40, no. 9, Oct. 2016, pp. 538–546.
Watson, Amy. “U.S. Netflix Subscription by Generation 2017.” Statista, 9 Aug. 2019.